Description:

A Very Fine, Large and Impressive Pair of French 19th Century Louis XV Style Gilt-Bronze Mounted Kingwood, Satinwood and Tulipwood Floral Marquetry Two-Drawer Bombé Commodes probably by FRANÇOIS LINKE, INDEX NUMBER 1810, PARIS, LATE 19TH/EARLY 20TH CENTURY with a Brêche d'Alep Marble Top. Unsigned and unmarked. Circa: Paris, 1890

Height: 35 3/4 inches (90.8 cm)
Width: 56 inches (142.3 cm)
Depth: 23 1/2 inches (59.7 cm)

Ref.: A1574

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Notes:

The mounts and shape of these commodes resemble a Japanese lacquered commode by the celebrated ébéniste Joseph Baumhauer (d. 1772), now in the collection of the Victoria and Albert Museum, London (illustrated P. Kjellberg, Le Mobilier Français du XVIIIe Siécle, Paris, 1989, p. 453).

An identical commode by François Linke was sold at Christie's, London on 24 September 2008. (Please click here to view).

Another identically-mounted commode by Linke, with Japanese lacquered panels rather than bois de bout marquetry as here, was sold Sotheby's London, 28 February 1997, lot 227

François Linke (1855-1946) was undoubtedly the most important Parisian ébéniste of his time. Having served an apprenticeship in his hometown of Pankraz, Bohemia, Linke arrived in Paris in 1875 and set up independent workshops at 170, rue du Faubourg Saint-Antoine in 1881 and later also at 26, Place Vendôme. By the time of the Paris 1900 Exposition Universelle, Linke's worldwide reputation as a master of high individualism and inventiveness was already established and unmatched by his contemporaries. His success at the 1900 Exhibition afforded Linke a high degree of financial stability and allowed him to pursue new markets by exhibiting at subsequent international fairs. Like the inventories of contemporaries such as Beurdeley and Dasson, Linke's oeuvre included copies and adaptations of the distinct styles of 18th century important and royal French furniture. His most extravagant exhibition pieces, however, combined the Louis XV style with the new Art Nouveau style. Linke's frequent collaborator for his designs was the celebrated sculptor Léon Messagé. In 1904, he was made Officier de L'Instruction Publique, and in 1905 he was called to be a member of the Jury of the Liège exhibition. Following his stands in the St. Louis (U.S.A.) exhibition in 1904 and the Liège exhibition in 1905, Linke was decorated with the highest distinction of France, the Croix de la Légion d'Honneur, on October 11, 1906.

Mâison Millet was established by Théodore Millet in 1853, and operated until 1902 from premises at 11, Rue Jacques-Coeur, Paris before relocating to 23, Boulevard Beaumarchais. Mâison Millet was a highly regarded furniture firm that was described as producing 'meuble et bronze d'art, genre ancien et moderne.' The company won several awards in the series of exhibitions in London and Paris, such as the gold medal in the 1889 Paris Exposition Universelle, a Grand Prix in 1900 and three further diplomes d'honneur and four médailles d'or for the furniture they produced. The firm specialized in the Louis XV and XVI styles, though they were acclaimed by their contemporaries for working in their own modern style. In March 1902, the firm was authorized by the Palais de Versailles to replicate Marie-Antoinette's celebrated Grand cabinet à bijoux. An auction was held in 1906 clearing the remaining stock and the firm finally ceased trading in 1918. Mâison Millet was an active client of François Linke.

 

 

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